April 10, 2019
Olivia Neutron-John Will Release their Self-titled Sister Polygon Debut May 10th, 2019
Olivia Neutron-John by Olivia Neutron John is now available for preorder.
Available February 21st, 2020
Too Free is born of the most innate curiosity in Awad Bilal (Big Freedia, Vasillus), Carson Cox (Merchandise), and Don Godwin (Callers, Impractical Cockpit), their sound is a question of connection. Can we find each other in the club? In the bass? In the car? Can we find ourselves when we dance? Their debut album Love In High Demand is a startlingly succinct pop meditation on desire, compassion, and groove. Drawing from improvisation and experimentation, these sounds are whittled down to only the most essential: the hand beckoning a listener into their space.
Olivia Neutron-John’s self-titled debut full length OLIVIA NEUTRON-JOHN is the artist’s first recorded output since 2014’s INJURY TRAIN AND I'M NEVER GETTING OFF IT b/w VULNERABILITY. Emerging with this album, their sound remains transcendent and meticulous with a newly articulated focus and even bolder minimalism. A. Nasty [they/them/theirs] returns on keyboards and voice, now writing sinewy bass lines against the steady pulse of a drum machine. Lyrically it is sparse, but laden with meaning. A. Nasty’s vocals are psychedelic yet straightforward, confident but desperate, calculated and unhinged all at the same time.
Ambiguity drives OLIVIA NEUTRON-JOHN - the feeling of imminent danger in nearly going off the rails, just barely kept in line with the order of rhythm.
The Funs, also known as Jessee Rose Crane and Philip Jerome Lesicko, spent years transforming their hoarded old house of death into something of a sanctuary for one life’s most affirming practices, artistic creation. Building it tooth and nail into an artist and musician’s residency they now call Rose Raft, The Funs made an album called Alienated to christen their self-created home.
Florry is a brand new rock band from Philadelphia. Teenage bandleader Francie Medosch leads her rollicking ensemble (featuring Peter Gill, Theo Woodward, RL Srinivasan and Abbie Jones Hornburg) through the exuberant, yearning roller coaster tracks of Brown Bunny. There is a directness to Medosch’s lyricism and playfulness to her song’s arrangements that feels anxious and hopeful.
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